Week 3

This is week 3 for both Journal Candy and Lifebook 2013.

This week's class for Lifebook was from Christy Tomlinson.  I did her She has 3 hearts class with her so knew that we were in for collaging in a big way.   Firstly we had to collage and paint a background.

And then make flowers to stick onto the background.   I have made mine flatter than suggested because of being in a journal rather than on a separate peice of paper.

And a closeup

While the various stages of the Lifebook page was drying I also worked on this week's Journal Candy class.  This too was about collage.  But this time to make a small zine.  It's made from one sheet of A4 paper and ends up as a little book 10.5cms tall and 7.5cms wide.
Firstly the cover

And then the inside pages

And this is it folded.

I've really enjoyed myself today.  And I am so pleased that I completed two activities.  I probably need to go and have a lie down now!

See you soon,
Bernice

Finding my style

I often think about style and art journaling.  And  how to find my style.  There are people whose work I admire who have a very distinctive style.

Dina Wakley

Dyan Reavely

Roben-Marie Smith

Kate Crane

 

What I've noticed about these pieces of work is that they are all brightly coloured and busy. Full of pattern.  Dina and Roben-Marie frequently have areas of white on their pages but Dyan and Kate always paint every available space.

Some other work I'm drawn to is Mary Nasser.  Her work is all about maps.

And then there are the faces!  I don't do faces.  But I love the art that Rachelle Panagarry produces.

Oh and then there's text.  I just adore Valerie Sjodin's art journals.

And yet, when I look at all the art journal pages I have pinned on my Pinterest board I can see a theme there.  And it isn't brightly coloured and patterned.  Although those pages are there too.

There's pastels and neutrals.  Lots of white space.  Some minimalism.  Lots of duck egg blue. (Robin egg blue if you're from the U.S.)

When I'm reading Somerset Studio or the Stampington Art Journaling magazine my eye is drawn to anything neutral, duck egg blue, pastels, neutrals, peach colours.

And yet more often than not my work ends up dark and messy and patterned and not what I had in mind at all.  I am trying at the moment to only work with particular colours rather than randomly picking up what comes to hand.  I think Dyan's new White Linen ink is going to really help me.

I spend a lot of time on Pinterest and on websites looking at other people's work trying to find inspiration.  But I often end these sessions feeling despondent.  There are so many amazing people out there doing amazing artwork.  And so I hesitate to start.  It isn't that the blank page intimidates me.  I never get as far as opening the sketchbook or finding the paper some days. 

And yet this blindingly obvious comment stood out yesterday when I was reading Art Journaling.  A quote from graphic artist Promise Tangeman:

'Don't waste time looking for your style.  The truth is you already have it, 

you may just need to create more in order to see it.'

So that's what I should be doing.  Creating more. 

Have you found your style yet?

Monoprinting

There are lots of blog posts and YouTube videos about the latest craze - monoprinting with a Gelli Plate.  This is a gel plate on which you put your acrylic paint and make patterns before smoothing a piece of paper over the top to take a print.

I love how things come round again in the crafting world.  At least 10 years ago I was doing monoprinting and producing handprinted papers.   I attended a workshop with Ruth Issett based on her book Glorious Papers.

You can see the most amazing gelli plate prints on Patti's blog.  And she also has made a video you can watch on YouTube.

So what can you do if you don't have a gelli plate? 

I use a glass plate but you could use your non-stick craft sheet.

You will need various colours of acrylic paint, a surface to put your paint on, a brayer, sheets of paper (try different sorts) and some items to draw with.    You can use the same things that are suggested for the Gelli Plate.

Fun textures are easy to find ... to get started, try using bubble wrap, plastic grids, foam stamps, stencils, leaves and string to create interesting imagery on your plate.

For hand drawn mark-making, use soft-tipped tools like paint brushes, cotton tipped swabs or soft rubber-tipped tools.

Splodge (technical term) your acrylic paint onto your surface and roll out with the brayer.   Make your pattern marks.

Put your paper over the top and smooth it on to take or pull a print.

I tried Patti's idea with the stencil


I smoothed it with the brayer and my hands.

This was the print that I got through the stencil.

I peeled the stencil off and took a print directly from the glass

and one from the stencil itself

I had cleaned my brayer off on a piece of cartridge paper.

 I put orange acrylic on the glass and pressed a piece of bubblewrap into it.

I removed the bubblewrap and pressed the piece of paper onto the glass and took a print.

And then it pressed the bubblewrap onto this printed paper.

I sprayed ink and water onto the page to make the drips.

 And here's with added pink.

On this paper I had put the yellow acrylic on the glass and then scribbled in it and printed. Then added the pink ink.

And lastly I put some shades of red on the plate and made patterns with the brayer.


And here's the print.

Here's another print taken from the remains of the red using the second print from the photograph of the turquoise paint at the top of this page. 

You can keep building layers as long as the paper can take it.  This cartridge paper was fine with the acrylic but didn't much like the spray inks and water.  Mixed media paper or watercolour paper will give a different reaction.

As for the Gelli Plate - well I'm going to a workshop with Dina Wakley at Art from the Heart in March to learn all about it - so watch this space to see if I'm a convert.  Or an addict like Patti!

Thanks for stopping by.

Bernice