Tuesday, 16 October 2018

Karen Stamper workshop

I signed up to do Karen Stamper's Online Course because I couldn't wait for the September workshop that I had invited her to do at The Studio in Solihull.  I have found it very beneficial to do both.

This is as far as I got with the online course.  I used a Khadi paper zigzag book.

At the Solihull workshop I used the recommended Seawhite concertina book.  I took photos of various stages. 


Using Seawhite inks in black and sepia


Posca Pen sky after adding a skyline




Adding foreground features


The inspiration was Venice although I have had a couple of comments about it looking like Marrakech!

Since the workshop I have tried to find a way of incorporating Karen's techniques with my preference to find a style that works for me.

This is only the first layer.

I'll let you know how I get on.

Thanks for joining me today.
Bernice


Tuesday, 9 October 2018

Capturing the Place Sketchbook

My last post showed a large number of photographs taken at Forge Mill Museum.  Today I'm going to show my sketchbook page by page.  I didn't necessarily work on the pages in order but this is the order they are in the book.

Our first task was to go outside and concentrate on one aspect of what we could see and find the colours represented there.  I chose the mill building but other people chose the flowers or other buildings.

During the three days, Hilary introduced a variety of techniques for us to choose.  We could try them and discard them, or continue to experiment with them.  We all chose different things to do.




This page was worryingly the colours I associate with my Venice work.


Hilary encouraged us to go out and draw 'en plein air'.  However, I traced one of my photos using layout paper and sketched it up a bit with a pen.  Then stuck it in.

I tore pages and extended pages.


The museum had some metal tiles that could be used for rubbings and a mock up in the museum of what they thought they looked like originally.

There was also a photo of what they had found in the abbey.  I made some small eraser stamps and combined these with the photo and the rubbings.

In the modern part of the visitor centre there was a really interesting drain cover. I made a stencil and combined that with collaged photos.  One of the other participants made this lovely chain stamp.

This page sticks out like a sore thumb.  I need to knock back the green.

Normal service is resumed.   Wax resist, watercolour and collaged photos.

I had a lovely time and really like some of my pages - that's very unusual for me.  Whether I ever finish the sketchbook is another matter.

Thanks for joining me today.
Bernice


Tuesday, 2 October 2018

Capturing the Place

In September I spent 3 memorable days with my friends Lorna and Sandie at Forge Mill Museum on an art retreat led by Hilary Beattie.

We spent the three days immersing ourselves in the place.  I took lots of photos - mostly outside the building.  I didn't really ever get to the inside.  Before I went I was planning to do about the cogs and wheels of the machinery but I never made it that far.

In today's blog post I am going to share some of the photos I took and then in the next blog post I'll show you my sketchbook.

The room we were working in.

Bits and pieces around the mill








 
 




Next time - how these photos and the place itself impacted the work in my sketchbook.

Thanks for joining me today
Bernice