I moved on to looking at the possibility of making fragments. I saw instructions for a folding book on Facebook and thought it would be great for displaying samples. I tried making it in card with squares of the gelli prints I had made for this project but not stuck in my workbook.
I made it again with collages made from the gelli prints.
I moved on to dyeing fabrics.
And then started experimenting with different techniques. I had been to a workshop with Clare Bullock to learn Nuno Felting.
The instructions with this course include:
- Try at least 5 materials you’ve never used before
- Try at least 5 techniques which you either haven’t used before or are now pushing to a different level
I also tried working with an Embellisher (squares on the right) but really didn't enjoy it.
I also tried a couple of machining techniques. First I tried a water soluble fabric sandwich with Aquabond on the bottom, a layer of wool tops and a thinner layer of water soluble fabric on top. I machined one with a grid and the other with free machining.
The other technique involved layers of sheers machined onto a felt backing.
I moved on to displaying the samples. I took a photo f the samples and printed the photo out. As I tried different stitches on the sample I scribbled what I had done.
I put in my submission to my tutor. Each sample was photographed and annotated.
Stitched samples
I also had to submit a design brief for my final piece. I had decided that I would make a larger version of the fold up book using Lutradur rather than card for the base structure.
I received the feedback from the tutor. She suggested that I made an odd number of squares.
I had tried dyeing the Lutradur with the same dyes that I had dyed the fabrics but it just didn't work so in the end I painted it with acrylic paint.
Having decided I would make the piece larger I tried out various versions of the squares and triangles.
And eventually decided on this arrangement.
Thanks for joining me today
Bernice