B is for Believe

In our Living Your Word of the Year group we are using a fortnightly (bi-weekly) A-Z challenge throughout the year to help us focus on our word and live it out.

Because of the way I have made my journal it's a case of going with the flow of what background the pages have when I turn to them.

I chose Believe for my B word.  I thought it went well with my word of the year {commit}.  Valerie's suggestion for this letter was to draw around your hand.  I can't get my right hand to lie flat yet so I drew round my left.

I wrote the words from the definitions I found for believe that best fitted {commit}.  I thought it would be good to put what I believe.  I love the Hillsong version of The Apostles Creed so I found the lyrics and a font I like (Crushed) and printed most of the lyrics.  I cut them up and stuck them on my pages.

There was a small page in the middle of the double page spread so I found a Scripture to put there. I used a Gelato and a stencil to add the half circles.

On the reverse I wrote some of the dictionary definitions.

Thanks for joining me today.
Bernice

Join Our Inspirational Facebook Group: Living Your Word of the Year

Join Mary Brack, Valerie Sjodin and I in our Facebook group where we are giving participants the opportunity to live out an A-Z of their own word throughout 2019.  Mary explains what we are doing in her blog post.  We don't like a lot of rules, so we will have suggestions and options to spark creativity, and to help in recording and exploring our word’s meaning in visual and fun ways. We will each blog about our experiences and our art.

 Living Your Word of the Year 2019

Hashtags on Instagram:  #livingyourword2019

Check out the other blogs:
Mary: www.foundonbrighton.com
Valerie: www.valeriesjodin.com/blog

To ensure you get updates from Valerie, Mary & I why not subscribe to our blogs.

Oops! I've done it again

You may remember that at the beginning of 2018 I told myself to stop signing up for online classes and only do in person workshops.  And mostly I kept to that!  Although I did do rather a lot of in person workshops despite having to cancel a few because of my hand.

By the end of 2018 I felt that for 2019 I should cut back on in person workshops and concentrate on my own work.

Let's see how that worked out!!!!

January
Cas Holmes: From the Land
A mixed media workshop introducing the student to approaches to using paper, textile, print, dye and stitch to create pieces based on the ‘land’ and landscape or a subject of your choice. A focus will be placed on stitching as an extension of mark making and drawing, and various means of layering. We will use photocopies, and build up images, textures and mix materials. The workshop is experimental and intended to provide students with different ideas for development based on the artist’s own practice.

My work from a previous Cas Holmes workshop

January/February
Unlocking the Mystery of Creative Play
‘How do I make better work?’ We will look at simple language and principles of design found in the physical world. Working from a personal starting point, discover tools to create contrast and harmony using colour, value, size, shape, and texture. Bring your curiosity to discover what you like and how to achieve the elements you need to work with your theme and create effective compositions.

Triptych Wallhanging
Three panels that will be mounted on a canvas that can be attached together or presented adjoining each other. Each panel will be a different felting technique and you will be encouraged to use an array of mixed media, metal, stone, fabric, gold leaf for added interest and surface texture, stenciling paints. Cutting and revealing hidden surfaces to building up 3 dimensional tassels, tubes or multiple level craters

May
Eco Dyeing and Botanical Prints
n this course we will cover;
•fabric preparation with mordants in order to develop the richest colour, an essential foundation
•immerse dyeing to achieve beautiful colours and shades
•modifying and enhancing shades and tones
•botanical print direct leaf contact transferring colour from leaf to cloth
•solar dyeing, an effective way to simply allow colour to transfer to fabric
•happa-zome, a quick and satisfying experience of creating pattern and print

In Detail: Inspiration for stitching from sources hardly noticed
Many wonderful inspirational design opportunities exist around us if we take time to discover them. The aim of this workshop will be to begin with the study of examples of small details from natural objects, leading to the development of different personal ideas for work in stitched textiles. Structured experimental design exercises, investigating the scope offered by changes of scale, tone, texture and colour, together with demonstrations, will encourage students to choose ways to develop their ideas both 2 and 3 dimensionally.  Throughout the course, emphasis will be placed on making notes and sampling in fabric and thread in order for work to continue later if wished

June
Tactile Notebooks and the Written Word
This workshop will help you to find your own living language through the creation of a vibrant notebook practice. Motivated by ‘haptic’ considerations we will use the sense of touch to stimulate and awaken perception to guide the making process, and to revive sensitivity to the way we communicate both visually and verbally.

July
Leah Higgins: Breakdown Your Palette
This five-day, focussed, workshop combines an in-depth exploration of breakdown printing and the study of colour to create a palette of beautiful, co-ordinated cloth. Working from your own inspirational images or objects you will extract colours to use as you work with a range of breakdown printing techniques. We will also investigate the use of discharge paste in breakdown and how your printed fabrics can be enhanced by other surface design techniques.

Breakdown printing from a Committed to Cloth workshop

So that's 7 major 2,3 or 5 day workshops booked into the first 6 months of 2019.   Not to mention the on going Art Textile Group at Littleheath Barn,  the exhibitions with Traverse and the Master Practitioner course.

It's just as well I'm retired, have no dependants and never do housework!

Thanks for joining me today.
Bernice

My sketchbook or whatever you call it!

The problem with calling something a sketchbook is that you feel you should be sketching in it.  And I don't sketch.  Or draw.  Or even doodle.  However, a bought sketchbook can become a repository of ideas, a workbook, even a diary of how your work is progressing.   So whatever it is you choose to call it, I am going to share some of the pages form the book I'm recording my ideas for the Master Practitioner course I'm doing with the School of Stitched Textiles.

Finding which poem to use for inspiration.

Collage pages having chosen The Road Not Taken.

Leaf printing with birch leaves

Using the music 'Summertime' as inspiration.

At this point I was beginning to get ideas for what I wanted to make from all this inspiration.  I'll show you that in another post.

Thanks for joining me today.
Bernice